Javier Maruccio

Born in Avellaneda, Buenos Aires, Argentina in 1978. From 2001 to present work in different areas such as theater, Stage Manager, Assistant Director, Production, etc. In 2006 attends the plastic research workshop teachers Heriberto Zorrilla and Helen Distefano. In 2008, taking drawing lessons with Maria Ines Del Corro in the city of Cordoba. He currently resides in Buenos Aires.

Participated in several group exhibitions in the city of Buenos Aires with essentialist movement and "Abriendo Caminos Foundation in Art font-family: Arial ">"

The Essentialism is an artistic movement founded by Argentina Heriberto Zorrilla and Helen Distefano in 1986. In its first manifesto is a fierce defense of painting, which revocation was proclaimed at the time.

The Essentialism contraposicicón born in the rise of nihilism in the art that is booming from 70 '. Then, under the slogan of the death of art, the artist had to divest his work of any possibility of transcendence. Desecrates art as sacred return success.

The second manifesto reiterates its position more forcefully and stands in defense of art against widespread technological fundamentalism and considers the so-called globalization in the art as reductive, advocating universal enriching.

In the field of aesthetic approach conceives the work as a fact of life.

The essential artist does not seek out the reason of his work, it arises as a result of internal development in which no previous project, is an approach to this area of mystery in which questions are raised human.

The essential artist not part of previous projects, sees the painting as an evolution in the center of which it is located (in essence), claims that the feeling and doing in sync determine the specificity of his work as a fact of life and therefore linked with your inner self and the world we live.

His first subject is an initial chaos (stimuli graphics, color, texture, etc.) and by his conduct foundational action, the repetition of primordial act, manipulates, orders and choose a way to reconcile those essential items for which the painting can become a form of expression and come to constitute the symbol of that inner feeling can not be verbalized, ineffable, and prefers that degree of universality which can communicate with others.

Initial chaos, the matching of pictorial elements, a space estructuracón Utility virtualized by sentiment and plastic remnants as areas of concentration are pictorial energy in a brief summary, the constellation in which revolve ESSENTIALISM artistic purposes.

And the work taken as a commitment to the painting itself, not barter in journalistic point, or literary, is located in the path of his true destiny.